{"id":81,"date":"2012-05-09T13:48:15","date_gmt":"2012-05-09T13:48:15","guid":{"rendered":"http:\/\/www.culture-sorbonne.fr\/scholars\/?page_id=81"},"modified":"2021-11-09T10:06:00","modified_gmt":"2021-11-09T10:06:00","slug":"les-membres","status":"publish","type":"page","link":"https:\/\/sorbonnescholars.sorbonne-universite.fr\/?page_id=81","title":{"rendered":"Le r\u00e9pertoire"},"content":{"rendered":"<p>Le r\u00e9pertoire de l\u2019ensemble comprend des\u00a0<strong>programmes th\u00e9matiques<\/strong>\u00a0:<br \/>&#8211; Musique au temps de L\u00e9onard de Vinci,<br \/>&#8211; Musique du temps d\u2019Henry VIII,<br \/>&#8211; Musiques furieuses de la Renaissance europ\u00e9enne,<br \/>&#8211; Un si\u00e8cle de polyphonie anglaise \u00e0 la <em>Chapel Royal<\/em>,<br \/>&#8211; Musiques de guerre,<br \/>&#8211; Voix et violes dans l\u2019Angleterre \u00e9lisab\u00e9thaine,<\/p>\n<p>&#8211; Psaumes de louange et de doute,<br \/>&#8211; Danses de la renaissance anglaise,<\/p>\n<p>&#8211; Les 500 ans du Codex Medicis,<\/p>\n<p>&#8211; Polyphonies sacr\u00e9es de 5 \u00e0 40 voix\u00a0: \u0152uvres de Palestrina, Striggion, Tallis, \u2026<\/p>\n<p>&#8211; \u00ab\u00a0Estote fortes in bello\u00a0\u00bb\u00a0: Musiques espagnoles du si\u00e8cle d\u2019or,<\/p>\n<p>&#8211; Musiques espagnoles et anglaises au temps de l\u2019Armada (1588),<\/p>\n<p>\u00a0<\/p>\n<p>Ou des\u00a0<strong>programmes centr\u00e9s sur un auteur<\/strong>\u00a0:<br \/>&#8211; Hommages \u00e0 Thomas Tallis, William Byrd, Thomas Weelkes, Roland de Lassus, Orlando Gibbons, Heinrich Sch\u00fctz et ses pr\u00e9d\u00e9cesseurs, Costanzo Festa, Josquin des Pr\u00e8s, et autres.<\/p>\n<p>&#8211; Musiques de sc\u00e8ne de Shakespeare<\/p>\n<p>&#8211; Ronsard mis en musique par ses contemporains<\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le r\u00e9pertoire de l\u2019ensemble comprend des\u00a0programmes th\u00e9matiques\u00a0:&#8211; Musique au temps de L\u00e9onard de Vinci,&#8211; Musique du temps d\u2019Henry VIII,&#8211; Musiques furieuses de la Renaissance europ\u00e9enne,&#8211; Un si\u00e8cle de polyphonie anglaise \u00e0 la Chapel Royal,&#8211; Musiques de guerre,&#8211; Voix et violes dans l\u2019Angleterre \u00e9lisab\u00e9thaine, &#8211; Psaumes de louange et de doute,&#8211; Danses de la renaissance anglaise, [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":1385,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-81","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sorbonnescholars.sorbonne-universite.fr\/index.php?rest_route=\/wp\/v2\/pages\/81","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sorbonnescholars.sorbonne-universite.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sorbonnescholars.sorbonne-universite.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sorbonnescholars.sorbonne-universite.fr\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/sorbonnescholars.sorbonne-universite.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=81"}],"version-history":[{"count":2,"href":"https:\/\/sorbonnescholars.sorbonne-universite.fr\/index.php?rest_route=\/wp\/v2\/pages\/81\/revisions"}],"predecessor-version":[{"id":1463,"href":"https:\/\/sorbonnescholars.sorbonne-universite.fr\/index.php?rest_route=\/wp\/v2\/pages\/81\/revisions\/1463"}],"up":[{"embeddable":true,"href":"https:\/\/sorbonnescholars.sorbonne-universite.fr\/index.php?rest_route=\/wp\/v2\/pages\/1385"}],"wp:attachment":[{"href":"https:\/\/sorbonnescholars.sorbonne-universite.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=81"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}